Notebook Covers - Valentines 2011

Friday, February 25, 2011
Every Valentines I make a little gift for the girls in my life. For Mother's Day, Sarah sent me a cut of fabric with this adorable heart print -- I just had to find a project for it! About 3 months before February 14th, I start trolling through saved links, Google searches, craft books and any other inspirational source I can think of to find just the right idea to convert into a handmade valentine goodie .

The quest this year culminated with the idea to cover mini-notebooks with the heart fabric. I found the perfect size (3¼" x 4½ ") notebook at Staples and backed each cover with muslin. I stitched across the top and bottom when turning the flaps. Very little fabric was needed for each cover and I still have plenty of this adorable fabric left over for another day!

Little Lamb Sock Critter

Thursday, February 24, 2011
This Little Lamb Sock Critter pattern is free over at Lion Brand Yarns. I was attracted to it because of the textured pattern of the body and the interesting way the technique for knitting a sock heel was used for the face and head. However, I knew from the beginning I was going to have to make adjustments because the original pattern looked more like a rat than a lamb. I made two lambs and gave both away but I'm in love with the finished results and thinking about making one for myself!

Pattern Corrections:
There are two errata to the written pattern:
1) When working the leg of the lamb Row 17 is actually the right side and not the wrong side.
2) The pattern has both written and charted instructions but the written instructions for Row 4 of the body is blank - it should read: (K1, P1) 7 times, K2, P2, K2, P1, K1, P2, (K1, P1) 5 times.

Update: Since this post, these corrections have been made on the Lion Brand pattern page.

My Changes:
These are the things I did to morph a rat into a lamb:
1) I did use Wool-Ease Yarn but I substituted the color "Natural Heather" for "Fisherman".
2) I used 9mm safety eyes.
3) I embroidered a V nose in place of a felt circle (see photo for placement).
4) I cut the size of the tail exactly in half (instead of casting on 16 stitches, I cast on 8).
5) I made no changes to the knit pattern for the arms and ears, however, the biggest change in the whole pattern was how I attached them,.
     a. Once the ears were knit (and before attaching it to the head) I stitched them closed by "layering" the front and back. By this I mean I didn't press the ear together and stitch it - I pushed 1/2 of the circle a little lower than the other and then stitched closed, this reduced a great deal of bulk. After that, I stitched the ears flat to head so that they hang down the side of the face (see photo for placement). It's the ears that make the lamb look like a lamb and not a rat. So pay attention to the ears (unless you want a rat!)
      b. I did not stitch the ends of the arms closed before attaching. In fact, I stitched them down to the body in a skinny oval at the side of the body. This change to the arms doesn't really make the lamb look less like a rat but I liked it better and felt it matched the look of the legs.
     c. I didn't stitch a straight line across the lower edge of the body just above the top of legs (to allow the lamb to sit). This was personal preference only.





Ravelry Project Page - Little Lamb Sock Critter

Baby Fern Lace Cowl

Saturday, February 12, 2011


Almost a year ago I took a yarn hand-dying class at Mind's Eye Yarns in Cambridge. Along with a couple samples, I dyed 4 skeins of sock yarn (see photo below). I finally got around to knitting something with one of the skeins!





The pattern is the Baby Fern Lace Hood/Hat/Cowl by Allyson Ryan and it's a free pattern over at Ravelry

It was a fast, fun and relatively easy to knit once I made the stitch change noted below.




Notes:
  • 117 stitches has a 13 times repeat not the 16 noted in the pattern. (This has been corrected in the latest available version of the pattern.)
  • The pattern defines a SSK as "slip 1 stitch purl wise, knit next stitch and pass slipped stitch over (left slant)". but that definition is really for a sl1, k1, psso. I chose to do an actual SSK but an "improved" version which is: "Slip one stitch as if to knit, slip the next stitch as if to purl, knit the two together through the back loops". This is also a left slanting decrease, lies flatter and was easier to execute with this pattern. (This has been corrected in the latest available version of the pattern.)
  • I used a long-tail cast (essentially a knit row itself) so I started the beginning garter stitch section with a purl row rather than a knit row and eliminated row #8 before starting the repeat.
  • I did a regular bind off but went up a needle size. Both the cast-on and bind-off were loose enough.
  • Finished blocked size (you must block this pattern!) was 18" circumference and a height/length of 26".
  • The yarn is a Superwash Merino/Tencel blend.


    I'm going to knit a pair of socks with one of the remaining skeins but I welcome any suggestions for the other two skeins as well as the two little samples.
  • Quilts for Haden & Natalie

    Saturday, January 01, 2011






    Mostly I knit and crochet but I also sew - it's really about "making stuff"! This past fall I was out on the West Coast visiting family and went to two local fabric shops (think local yarn shop, in other words, not a Joanne or Hancock Fabrics) In each shop I came away with fabric to make quilts for grandchildren.

    Shop #1
    Maisonette in Oceanside, CA is a wonderful little shop which doubles as a photography/art studio. It was here that I got the idea for the quilts (not hard, they had a sample prominently displayed!) The quilts take only a yard of material each for the front and the back. Rockets and moons for 4½ year old grandson Haden, encouragement from my daughter Rebecca that he would love it for Christmas and the project was just too perfect to pass up. Double bonus: I also found heart buttons to add to my stash for possible Valentine projects.






    Shop #2
    Fabric Crush in Seattle, WA is a bright and well organized local fabric shop located in an historical building in the Wallingford area. Double bonus: They are right next door to the yarn shop Bad Woman Yarn!! It was here that I found the fabric for another quilt, this time for 9 month old granddaughter Natalie. Big thanks to Sarah who prevented a potential disaster by pointing out that I needed to buy a little more than a yard of this fabric because the print was not multi-directional.




    Notes:
  • I cut a cross grain binding of 2½" to give a 1/2" border.
  • On Natalie's blanket (the green one) the backing fabric is a flannel and it is a little thicker and "snugglier".
  • I tried a iron-on batting and I shouldn't have. I don't use iron-on interfacing when sewing garments because it can make the fabric stiff and leave glue traces -- the same principle applies here. Luckily, I didn't have have major issues washing out the adhesive but I was lucky and it did mean I washed the fabric twice (I had prewashed the fabric before sewing)
  • I quilted all the layers together by tying knots 5" apart with a coordinating color of Pearl Cotton #5. On a baby/toddler quilt 4" apart might be better so I'll keep any eye on how they wear.
  • These quilts were my first attempts at mitered corners and it went very well. I viewed a couple of websites and videos for the gist of how to do mitered corners but it was this video and it's proclaimed "no snouts allowed" that put the professional touch on them! What's a snout on a mitered corner? I have no idea how to explain it but watch the first minute of the video and she'll show you (she has lots of cool toys too!)

  • Sarah's Afghan

    Friday, December 31, 2010
    This is a special afghan made for my daughter Sarah to celebrate her move into an apartment of her own. We worked on the design and its features together and started the process with her requirements for an afghan -- big and warm with flowers!

    For warmth Sarah chose Lion Brand Homespun yarn which meant that a larger size afghan was going to be heavier and bulkier than a regular size one but for Sarah that meant more snuggle-ability (if that's not a word, it should be!) Homespun is a bulky and textured yarn and wasn't going to work well for flowers, in addition, it didn't come in the colors she wanted. The perfect color - Wild Berry - was found with Lion Brand's Vanna's Choice Yarn. We had the yarn and colors - now to design!

    I got really lucky with a flower design when I found a newly published book, 100 flowers to knit & crochet by Lesley Stanfield, there were lots of flowers with wonderful dimension and detail to chose from. After crocheting and knitting up a few different ones we both liked the Anemone.

    Now we needed a simple background where it was going to be easy to attach the flower as well as frame it. Using only double crochets and increasing the number of stitches each round it didn't take long to design and settle on a simple crocheted square. The pattern is detailed below.

    I like how this design incorporates both knitting and crocheting (I love to do both) and it's not often that both are prominently featured in an afghan design. It took over a year of designing and execution to finish; that makes it a special blanket for a special person. I love you Sarah.




    Notes:
  • There are a total of 35 squares (arranged in a 5x7) and 18 flowers.
  • Size 8 needles were used for the Anemone flower along with Vanna's Choice yarn. It took 3 skeins of Wild Berry, 1 skein of White and 1 skein of Black.
  • Each square measures approximately 11½" and the completed afghan measures 55" x 77".
  • I crocheted the squares with a K hook and it took 14 skeins Edwardian Homespun each skein of made +/- three squares
  • The border is a row of single crochet.

    Square Pattern
    K hook - Homespun yarn
    Rnd 1: Using Magic loop beginning: (3 dc, ch 2) 4 times.
    Rnd 2: *Work dc’s in each dc and in the corners work (2 dc, ch 2, 2 dc) *
    – 7 dc each side from corner hole to corner hole.
    Rnd 3: Repeat Rnd 2 from * to *
    – 11 dc each side from corner hole to corner hole.
    Rnd 4: Repeat Rnd 2 from * to *
    – 15 dc each side from corner hole to corner hole.
    (6” across at this point)
    Rnd 5: Repeat Rnd 2 from * to *
    – 19 dc each side from corner hole to corner hole.
    Rnd 6: Repeat Rnd 2 from * to *
    – 23 dc each side from corner hole to corner hole.
    Rnd 7: Repeat Rnd 2 from * to *
    – 27 dc each side from corner hole to corner hole.
    Rnd 8: Repeat Rnd 2 from * to *
    – 31 dc each side from corner hole to corner hole.
  • One-piece baby sleeper

    Saturday, November 27, 2010





    I love this outfit! I've knit it for almost every baby in the family. It's from a 1981 Needleworks publication titled To Baby ... With Love by Linda Dec Vikla. The outfit is big so I knit the 6 month size because the feet are not “walking” feet. It's a fun knit and a perfect gift for older babies (6-9+ months). Through the years I'm made minor pattern corrections, mostly about where to end the knitting to begin the eyelet rows. While it's a lot of knitting and a lot of seaming, the quality and durability of the garment has always been worth it.

    The beauty on the left is my granddaughter Natalie wearing the newest version. This one was knit with Rowan Pure Wool 4 ply (a superwash wool) in a gorgeous raspberry color. The beauty on the right is my niece Elisa and is the first sleeper I knit (Elisa recently graduated from law school!) Below is one knit for my niece Karla and this one was passed down for two of my daughters to wear.


    A true classic and almost heirloom pattern!

    Note: The waist and feet are fitted to the baby with the use of ties. To prevent the ties from being pulled they are stitched to the garment at the center backs.

    Anne of Green Gables - Cotton Warp Quilts

    Saturday, November 13, 2010
    A few years ago I was rereading the Anne of Green Gable books when I ran across this passage:
    "Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts - she had knitted sixteen of them, as Avonlea housekeepers were want to tell in awed voices."
    Anne of Green Gables
    Chaper I
    Later in the series there are references to the quilts as spreads and having patterns:
    "Mrs. Rachel has given you one of her beloved knitted quilts of the tobacco stripe pattern and she says when I am married she'll give me one, too."
    Anne of the Island
    Chapter XXIX


    " 'I'm going to give Anne two of my cotton warp spreads,' she
    resumed. 'A tobacco-stripe one and an apple-leaf one. She tells me they're getting to be real fashionable again' "
    Anne's House of Dreams
    Chapter II



    So what was she knitting and what was she knitting it with? It took me awhile to do the research and even longer to write a blog post but this question pops up periodically in knitting forums and it is always answered in pieces. So I've collected those pieces, added a little research of my own, and hope to make a one post comprehensive answer. Here goes:

    The Annotated Anne of Green Gables By Lucy Maud Montgomery, Margaret Anne Doody, Mary E. Doody Jones and Wendy E. Barry has the following note to "'cotton warp' quilt" :
    "A particular type of yarn sold in stores and identified as such on the label. When it first came in, in the 1820s, this very soft yarn was used principally for weaving. What Mrs. Lynde makes is, strictly speaking, not a quilt but a bedspread. The common way of making such spreads with cotton or other thread is to knit squares on the bias and stitch them together, but Mrs. Lynde's quilt knitting involves elaborate lacy patterns. Montgomery herself knitted three such patterned quilts (see Appendix, "Homemade Artifacts")."
    And the Appendix passage which is from Montgomery's 1914 journals:
    "Today I began to knit a quilt...There have been so many days lately that I could do absolutely nothing,...Now, knitting has always had a good effect on me when I was nervous...so I began the quilt. It doesn't matter if I never finish it. Quilt knitting in this particular pattern especially always makes me think of Malpeque. I spent a winter there once with Aunt Emily. Every girls and woman in Malpeque had knitted, was knitting, or intended to knit a quilt -- some of them several quilts. They possessed so many patterns and considerable rivalry went on. Lace knitting was very popular also. I caught the fever and began a quilt. I think I was three years knitting it. It was very pretty but wore out long ago. Ten years ago I knitted a second which I still have."
    What was Mrs. Rachel knitting?
    Mrs. Rachel was knitting a counterpane with cotton warp yarn. This activity became extremely popular from the mid 19th century thru the early 20th century and its popularity is also noted in this story from The Gentleman's Magazine, July to December 1893
    "We sit round in a circle in the best parlour, and are very solemn, and tea is handed round. Then we talk--at least the others do; for until the men come the women talk about nothing else but recipes for bacon-pickles and knitted cotton counterpanes. They make the counterpanes in little square or oblong bits, which are afterwards sewn together. They each have a piece which they are knitting, and there are hundreds of patterns in which they may be done; they discuss each pattern, so it takes a good long time."
    A Village Fragment
    by Mary Hartier
    What are Knitted Cotton Counterpanes?
    A knitted cotton counterpane (counterpane, bedspread and coverlet are synonyms) is composed of squares, triangles, stripes or other shapes of knitted pieces that are sewn together to make a bed-cover. The word counterpane is also frequently used to refer to the patterned knit pieces themselves.

    A knitted counterpane pattern from Godey's Lady's Book, July, 1860 (a modern pattern translation is here)


    Additional knitted counterpane patterns:
  • Bedspread (Counterpane with Leaves)
  • Leaf Bedspread
  • Quilt (Square Counterpane with Leaves)
  • Rose Leaf Counterpane




  • Knitting Counterpanes: Traditional Coverlet Patterns for Contemporary Knitters by Mary Walker Phillips is a popular resource book for contemporary counterpane knitters.


    What are the patterns for Mrs. Rachael's counterpanes?
    The specific patterns used for the two counterpanes mentioned (A tobacco-stripe one and an apple-leaf one) are not known. Leaves are very common patterns used for counterpanes and there are many variations of tobacco and apple leaf patterns. Mrs. Rachael worked the tobacco leaf pattern in a stripe (a long narrow band) but the shape of the apple leaf pattern is not mentioned.

    What is cotton warp yarn?
    Cotton warp yarn is cotton spun to be a strong and durable yarn for use in the warp of a woven fabric. Cotton warp yarn was (and still is) an easily available and economical choice for knitting a bedspread, as well as other household items.

    The size of cotton yarn used for a counterpane would depend on whether a light or heavy bedspread was wanted. No yarn size specifics are given in the Anne of Green Gables literature or by L. Maud Montgomery. I provide it here for additional detail and interest.

    Cotton yarn size is given with two numbers and is best explained by Rachel Brown in her book The Weaving, Spinning, and Dyeing Book, ed.1987.
    "These are numbers by which yarn size and ply are described.... Cotton, linen, woolen, and worsted yarns can all be described by count. #1 describes the size of the yarn that will be produced when spinning a certain base yardage from 1 pound of fiber.... For cotton, No. 1 is the size thread that results from spinning 840 yards from 1 pound of cotton fiber. #2 would be the size thread if twice this yardage (1,680 yards) was spun from 1 pound of cotton... #10 would be a thread 8,400 yds long weighing 1 pound. So the higher the number, the finer the thread. This is single-ply thread.... When the thread is plied, the number of plies is given along with the thread size, as 10/2 (2 plies of #10 thread) or 6/3 (3 plies of #6 thread). The first number is the size of the thread and the second number tells how many threads of this size there are in the final plied yarn."







    Comparison Chart
    Cotton Yarn Size #Approximate Weight
    10/2Fingering
    8/2Bedspread
    8/4DK (double knitting)
    8/8Worsted

    That's it! I now know what Mrs. Rachael was knitting and why they were so highly valued. Someday I wouldn't mind knitting one myself.

    Update 10/3/2015: Read about my adventures in knitting a pattern square for a counterpane from the vintage book A Knitting-Book of Counterpanes.